By Danna Harman for Haaretz
Jewish art is not hip. It can be beautiful, sure. It can be meaningful, of course. It can be valuable, no doubt. But cutting-edge? Current? Cool? Meh.
If you believe that, you clearly have not yet been to the first-ever Jerusalem Biennale for Contemporary Jewish Art, which opened this week at five venues around town, with the participation of more than 50 artists showcasing a panoply of visions of what contemporary Jewish art can be.
“Don’t get me wrong,†begins Ram Ozeri, the 33-year-old mastermind behind the biennale and one of its seven curators. “It’s not that I don’t love menorahs or Torah scrolls,†he says, referring to the kinds of images that, along with pomegranates, dancing Hasids and the walls of Jerusalem, often come to mind — and with good reason — when the words “Jewish†and “art†combine.
“But this is something different.â€
Take the work of Kansas City, Missouri-born Andi Arnovitz, 54, a firecracker of a former graphic designer, who moved to Israel with her high-tech wunderkind of a husband and five children — becoming religious along the way — 14 years ago.
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