By The Jewish Art Salon | Tweet
The Hebrew Immigrant Aid Society (HIAS), the international migration agency for the American Jewish community, will be launching an online art gallery in Jan. 2011. There will be no fees, and the works will not be for sale. “Our view is that we want the world to know how good immigrants are for this country – among other things, they contribute great art,” says Roberta Elliott, vice president for media and communications.
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Three Faiths: Judaism, Christianity, Islam currently at the New York Public Library at 42nd Street and Fifth Avenue, explores parallel and divergent trends in illuminated manuscripts and books, from the last 1500 years, which are in the Library’s vast permanent collection. Most importantly, on the Library’s website (exhibitions.nypl.org/threefaiths) there is an online exhibition that allows you to peruse many pages in manuscripts (look for NYPL Digital Gallery) that are not viewable in the exhibition itself (obviously each manuscript can only be open to one page at a time). Also available for viewing in the Digital Library are related works that the Library has in its collections, such as 21 decorated ketubot or 49 illuminated pages of Tanach written by Joseph of Xanten, Germany in 1294. To say the least it is quite a treat.
Read the full article HERE.
By Mizel Museum | Tweet
Mizel Museum Denver, CO
Open to all visual artists. All styles and media are eligible.
No Fee
Due January 24, 2011
Artists are responsible for delivering/sending work to the museum by January 24, 2011. Mezuzot must be ready to hang, no longer than 8″ and no wider than 4″ and must be open in the back so a kosher scroll can be inserted.
For more exhibition details and/or information about sales, contact gkolber@mizelmuseum.org or call 303-749-5014.
The first law mentioned in the Torah is to keep the calendar: the basis of all Jewish holidays and a structure given for future commandments. Moon cycles were the nightly clue used for generations to keep track of this time consuming yet crucial task.
We have come along way since then, and though most people can not remember a holiday or birthday without an electronic reminder, there are still those who prefer bound books of paper to remember important dates and enjoy this visceral method for connecting to time.
Whether she realizes it or not, Esther K. Smith of Purgatory Pie Press has continued in the tradition of calendar keeping. Even though the Gregorian calendar (based on the sun) has never related to the Jewish calendar, the nomadic theme in this piece gives the datebook an exiled flair.
Steven Heller interviews Esther in his post on the new leather bound, letterpress-printed, datebook for 2011 by Purgatory Pie Press.
From Steven Heller:
Esther Smith, PPP’s co-proprietor, told me the backstory: “We started making datebooks in 1980 for 1981. I couldn’t find one that I liked and thought [Smith’s husband and partner] Dikko Faust could print one for me–I made a few sketches. Thinking the lines would be a problem, I decided he should print it on archival graph paper. Dikko said J‘s would be a problem, so I decided he should make sort of type collages that he called TYPOGLYPHS. Of course, my idea was very different from what Dikko made, so we began bouncing things back and forth, collaborating.”
Read the full interview: Imprint-The Online Community for Graphic Designers | If You Are Into Leather. . .
Do you have your own Gregorian calendar ready to go but wondering when the Jewish holidays fall out in 2011? Write them in now and use this handy list for help!
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The Queens College Journal of Jewish Studies, 2011 Edition, is currently accepting submissions of original work relating to any fact of the Jewish experience, including:
Academic Papers
Artwork
Essays
Fiction
Poetry
Photographs
All submitted materials will be automatically entered into competitions (if eligible) at the Center of Jewish Studies, which carry significant cash prizes!
For more information or to submit material, e-mail JewishStudiesJournal@gmail.com
Sponsored by the Clemente Soto Velez Cultural & Educational Center Inc.
Jan Hanvik, Executive Director
107 Suffolk Street Room 312
New York NY 10002
New York State Department of Cultural Affairs
Distant Cousins: Jewish and Muslim Women Speak is an art exhibition. The curator is Haifa Bint-Kadi, Palestinian-American and a New York public art artist, mosaicist, teaching artist, lecturer and participant of The Dialogue Project. Distant Cousins: Jewish and Muslim Women Speak was conceived to recognize and make public and explicit the intimate unearthed, unspoken conversations between Muslim and Jewish women.
“Much of the dialogue that exists in the political realm is driven by male politicians and pundits.”
Expressed through art, these are conversations that may have remained in the subconscious, conversations that may inform the artist’s work or conversations that may have needed a unique forum to be heard. Palestine is often at the center of Jewish and Muslim dialogue and many Palestinian and Jewish artists use their work to respond to the current situation, but the artist should not limit themselves to that conflict. Gender issues, patriarchal structures, motherhood, challenging traditional or cultural roles, faith traditions, integrating feminism within faith practice, tradition or art and many other issues may be deeply embedded in an artist’s work. Much of the dialogue that exists in the political realm is driven by male politicians and pundits. The personal is political, but the curator seeks to provide a venue without male constructs and one that is partly described and constructed and de-constructed by female voices.
Artworks selected by the curator will have the opportunity to be show cased in an exhibition at the Clemente Soto Velez Cultural and Center Gallery on April 18, 2011 to May 13, 2011. The exhibition will include artist talks, performances and short film screenings. The exhibition will also be traveling to other venues at the Philipse Manor Hall, Manhattanville College and others.
ELIGIBILITY: The competition is open to any living female artist who indentifies as Jewish or Muslim. Works must be original, completed after September 1, 2009
SUBJECT: The curator will select exceptional artworks that depict, make explicit, translate, identify, make apparent, interpret or in some way express the artist’s faith-based voice, cultural perspective, point of view and the strength of connection to the description (above).
FORMAT: Original, two-dimensional, three-dimensional, mixed-media, sculpture, fiber art, mosaic and installations will be considered. Qualifying Media include: oil, acrylic, watercolor, gouache, mixed media, pastel, pencil, pen and ink, tempura, batik, scratchboard or original prints. If you are not sure about qualifications please email the curator at: bintkadih@mville.edu or hbk@artandsoul-studio.com
SIZE RESTRICTION FOR ENTERED ARTWORKS: Including frame or mat, the maximum size for entered artworks is 1824 square inches. Calculate by multiplying the horizontal and vertical dimensions. Example: A 48†x 36†painting would equal 1778 square inches. The curator is willing to make special consideration for fiber art, sculptures or other large pieces that strongly connect to the theme.
Entries must be postmarked by January 30, 2010
Reception Friday, April 22, 2011 7:00 pm
ENTRY FEES: None
LIMIT: There is no limit to number of entries by an individual artist.
ENTRY FORMAT: DIGITAL PHOTOGRAPHS ONLY WILL BE ACCEPTED. Photographs will be projected onto a large screen for viewing. Professional quality, high resolution photography is encouraged. Emailed entries will be accepted. We reserve the right to refuse any accepted artwork deemed unsuitable due to a difference in quality from the submitted digital photograph.
DIGITAL SPECIFICATIONS: Be sure your image fits in its entirety on your screen, generally a resolution of around 150 dpi will insure the image is large enough for viewing. Save in jpeg format. Make only one copy of each image on your CD. Sculptures and mosaics will be allowed up to three images each including close-ups.
Submit multiple entries on ONE CD. Make sure you name the file before saving to include entry # (i.e. entry 1, entry 2, etc) plus the title. Make sure multiple entries are in the same sequence they are listed on your entry form.
On the surface of the CD you may either write directly (do not etch into the surface), or if you have the software, burn information on the surface to include at least your name. If there is room list entries in proper sequence and titles. More inclusive information should be on your entry form as requested.
Finally, check your CD before you mail to make sure your entry images are there and in proper order. Enclose the CD in a protective CD case.
RETURN OF CDs: CDs will not be returned. Make sure you have copies for your files before sending.
ENCLOSE A PRINTED HARD COPY OF EACH ENTRY IMAGE WITH YOUR ENTRY. Entries without print-outs will be disqualified.
ENTRY FORM
The entry form will consist of a COMPLETE PACKAGE with the following:
1. A title page with:
• titles in order as they appear on the CD
• dimensions, year and medium
• (Overseas entries may take as much as two weeks so mail your entries early)
• Your name, address, telephone number, and email and web site if available (not a requirement).
• Indication of whether or not art work is for sale. If for sale, include price.
2. One CD with your images in the same order that they appear on the title list and with your name written on the CD. You may also write your name on the CD case.
Please send multiple entries in one envelope. Haifa Bint-Kadi and Jan Hanvik, the Clemente Soto Velez Cultural & Educational Center Inc. are not responsible for loss or damage of CDs. Include a self-addressed, stamped envelope if you wish to be notified directly of your entry’s receipt. You may choose the option of being notified by email.
NOTIFICATION
Artists whose artwork has been selected will be notified by U.S. mail, sent to the address provided on the entry form by February 15, 2011. CDs of artists selected will be retained. Shipping instructions, a Loan Form, and other instructions and deadlines will be sent along with notification of acceptance. Compliance with instructions is a condition of entry and acceptance. Use checklist provided before you mail. It will be important to have your artwork ready for shipment upon notification.
CRATING, SHIPPING AND INSURANCE
Artists are responsible for packing, crating, shipping and insurance during shipping to the exhibition. No liability for loss or damage will be assumed by Jan Hanvik, the Clemente Soto Velez Cultural & Educational Center Inc. and Haifa Bint-Kadi.
Artists will receive some funding for shipping and insurance. Explicit crating and shipping instructions and deadlines will be included with notification of acceptance.
The curator will insure artworks once received in good condition, and thereafter until returned to artist/lender. Return shipping of artwork will be pre-paid by curator should the artwork be selected for a national tour.
PENDING NATIONAL TOUR OF EXHIBITION: As a condition of entry, all entries must be available, if selected, for a national tour of Distant Cousins: Jewish and Muslim Women Speak through 2011. The curator will notify artists if their work is selected for a national tour. All shipping and insurance costs for additional venues will be assumed by the curator.
SALES: The artist retains the right to decide whether or not accepted entries may be available for sale. Artists shall determine their sales price based on the current value of their work. During the exhibition dates, the Clemente Soto Velez Cultural & Educational Center Inc. retains the right to sell exhibited work from Distant Cousins: Jewish and Muslim Women Speak which will retain 30% as commission and will pay to artist 70% of the selling price. Please keep this in mind as your price your work. Please understand that your work for sale or not is not a condition of acceptance to the exhibition.
COPYRIGHT AND REPRODUCTION RIGHTS: As a condition of entry, entrant grants Distant Cousins: Jewish and Muslim Women Speak the right to reproduce accepted artworks in materials such as catalogue, press releases, publications, brochures, leaflets, invitations, radio or television announcements, or other printed or electronic media, for advertising, education, and publicity for this and any future exhibitions and competitions.
MAIL ENTRIES TO:
FOR REGULAR MAIL AND FOR UPS/FED EX :
Art & Soul Studio
c/o Haifa Bint-Kadi
63 Main Street
Floor 3
Yonkers, NY 10701
CONTACT INFORMATION:
Email: Haifa Bint-Kadi at bintkadih@mville.edu or call 914-423-1893
NEW YORK (JTA) — What was Elisabeth Moss, star of the AMC hit series “Mad Men†and an avowed Scientologist, doing hanging out with a Lubavitcher Jew?
They were making a movie together to promote “tikkun olam,” the Jewish value of repairing the world.
The product of their work, “A Buddy Story†— a romantic drama about a singer-songwriter who finds love on a weeklong trip with his neighbor — is expected to make it to the silver screen next year.
It’s just one of several films that Marc Erlbaum, an Orthodox “ba’al teshuvah,” or returnee to the faith, is making with Hollywood stars to promote positive messages to movie audiences.
“I am a religious person,†Erlbaum told JTA. “I very much believe in tikkun olam and the core Jewish values of hope, self-sacrifice and mutual helpfulness.â€
Aside from Moss, actors Jennifer Love Hewitt, Will Ferrell and Jamie Kennedy are involved in film projects at Erlbaum’s production company, Nationlight Productions.
Read the full article on JTA HERE.
By Pratt Gateway | Tweet
On the kibbutz where Israeli-born video artist Oded Hirsch grew up, there is almost always a ready-made cast of family and friends excited to star in his work.
For his first major piece, 50 Blue, half a dozen men from the kibbutz—a collective living community in Israel — volunteered to hoist Hirsch’s father in his wheelchair up to a watchtower while standing in the Sea of Galilee in the rain.
“I was surprised because people really came to me and said ‘we want to be part of it,’†he says.
The haunting 50 Blue is the first in a trilogy; the second piece, Tochka, depicts an assembly line of men building a bridge. Hirsch is now working on the third as a 2011-2012 fellow for the Six Point Fellowship, which supports artists exploring Jewish ideas.
There is Nothing New will show dozens of people from the kibbutz where he grew up rescuing a person whose parachute is tangled in power lines; the rescuers will go to great lengths to get the man down, when the problem could be solved with a tall ladder.
Read the full article HERE.
By Be’chol Lashon | By Pratt Gateway | Tweet
Awards of $1,000 in the categories of Children’s Books, Print Media, Film, and New Media.
Submit via the Entry Form for art or Nominate someone else for writing!
NO FEE
Deadline January 31, 2011
Questions: Email awards@BecholLashon.org or call 415-386-7900
BecholLashon.org